The sculpture resembles a piece from a nesting table set known as a Zigon and carries a distinctly kitsch quality that sets it apart from the artist’s more abstract works. Crystal elements from the artist’s grandmother’s dismantled chandelier are repurposed as decorative pieces to evoke both the delicacy and weight of the past. The sculpture’s surface has been carved to perfectly hold one of her grandmother’s inherited handmade needlework pieces by embedding the intimate act of inherited craft across generations. The candelabra like legs reference a time when electricity shortages were common and bring an element of forgotten hardships and nostalgic warmth to the work. These elements carry layers of meaning in their new assembly where tradition and modernity both clash and merge.